Thank you to a friend, CB, who sent me this link:
http://www.ted.com/talks/antony_gormley_sculpted_space_within_and_without.html?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+TEDTalks_video+%28TEDTalks+Main+%28SD%29+-+Site%29
It's interesting to hear a sculptor discussing the space of bodies, the body as a site of potentiality and relational to architecture and site. When we close our eyes, we can become aware of the intimate subjective collective space of the body - a place of imagination and potential, a place that is objectless and dimensionless. This is the elemental world he seeks us to engage with - the darkness of the living body and somatic experience, as distinct from the technological world.
And, of course, I was so lucky to see his work at the mouth of the Mersey near Liverpool recently.
Criminal trials have traditionally favoured live, physically present, embodied human testimony. A paradigm shift is occurring with the increasing use of video technologies in criminal proceedings, hinting at a future immaterial, digitized posthuman courtroom. My PhD research at the University of Sydney explores the expanding use of video technologies and the associated disappearance of the human body from the criminal justice system.
Sunday, 16 September 2012
Tuesday, 11 September 2012
'Covert' solo show
COVERT
CAROLYN MCKAY
12 – 30 SEPTEMBER 2012
OPENING PREVIEW
FRIDAY 14 SEPTEMBER 6-8PM
galleryeight is pleased to exhibit
a solo show of recent work by Carolyn McKay.
Covert presents a suite of
four HD videos created by McKay while travelling around Japan last year. Filmed
covertly from behind glass, windows of trains and hotels afforded her the
opportunity to be a watchful eye observing the unsuspecting, revealing
unconnected episodes of strangers’ lives. What she found particularly appealing
about this form of surreptitious spectatorship was that the images revealed
people unposed, introspective and natural. However,
she sensed that she was secretly thieving a portion of someone’s daily life for
her own artistic purposes. The videos appropriate and fix private moments that would
normally have remained ephemeral, compelling these strangers, through DVD
looping, to repeat their experiences indefinitely. On the other hand, these
stolen episodes have gained a poetic resonance that may have otherwise passed
unnoticed.
Thank you to Carrie Miller and The Art Life for a review:
http://theartlife.com.au/?p=7000
Sydney College of the Arts Graduate School Conference and PhD Exhibition
It's a busy week at SCA with the PhD exhibition opening tomorrow night (Wednesday 12 September) and the conference on Thursday 13th. I'm taking part in both events, with a series of light boxes in the exhibition related to my research and I'll be presenting at the conference "Videos and inmates: digitising the criminal body."
For more details, see http://sydney.edu.au/sca/graduate_school/current_students/conference/about.shtml
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