tag:blogger.com,1999:blog-28186086740228577102024-03-14T20:03:42.078+11:00Art of CriminologyCriminal trials have traditionally favoured live, physically present, embodied human testimony. A paradigm shift is occurring with the increasing use of video technologies in criminal proceedings, hinting at a future immaterial, digitized posthuman courtroom. My PhD research at the University of Sydney explores the expanding use of video technologies and the associated disappearance of the human body from the criminal justice system.Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.comBlogger116125tag:blogger.com,1999:blog-2818608674022857710.post-91210049616014512162015-05-26T23:19:00.003+10:002015-05-26T23:19:36.178+10:00Sentencing hearings and video biographiesThere was considerable controversy following the recent sentencing hearing of a convicted rapist in Sydney. Several well-known people provided glowing character references for the offender, provoking criticisms of their support:<br />
<a href="http://www.smh.com.au/nsw/nsw-barristers-slam-pru-goward-for-criticising-glowing-references-for-rapist-luke-lazarus-20150407-1me2ti.html">http://www.smh.com.au/nsw/nsw-barristers-slam-pru-goward-for-criticising-glowing-references-for-rapist-luke-lazarus-20150407-1me2ti.html</a><br />
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In the US, video production houses are seeking to create flattering biographical videos for presentation in court:<br />
<a href="http://www.nytimes.com/2015/05/25/nyregion/defendants-using-biographical-videos-to-show-judges-another-side-at-sentencing.html?hp&action=click&pgtype=Homepage&module=first-column-region&region=top-news&WT.nav=top-news&_r=1">http://www.nytimes.com/2015/05/25/nyregion/defendants-using-biographical-videos-to-show-judges-another-side-at-sentencing.html?hp&action=click&pgtype=Homepage&module=first-column-region&region=top-news&WT.nav=top-news&_r=1</a><br />
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Apparently this service has been offered to well-healed customers for some time. Rich defendants can expect elegant, well produced and professionally edited footage to show them in the best possible light, prior to sentencing. Now some video makers are endeavouring to make this potent visual material accessible to the less affluent in society. The nonprofit Silicon Valley De-Bug is a criminal justice group that is seeking to produce biographical videos for poorer defendants, to address the inequality of arms - and of production values.<br />
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<br />Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-21494032204118846262015-05-25T17:47:00.000+10:002015-05-25T17:47:15.639+10:00<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw0RFIfOOPBQ9YGxjSbxBLva1tzywfCw7T8oAh8_hcwrI-JBopXiXGYpyrRD3FjOuJjC-HGBM0DFv2R0T1PzAcBAvSlX4dbnTUZLcS-7rvx6UfJoZUGYC00upcEU-TLSes8cTm9wM9HtgN/s1600/Screen+Shot+2015-05-25+at+5.30.53+PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="135" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw0RFIfOOPBQ9YGxjSbxBLva1tzywfCw7T8oAh8_hcwrI-JBopXiXGYpyrRD3FjOuJjC-HGBM0DFv2R0T1PzAcBAvSlX4dbnTUZLcS-7rvx6UfJoZUGYC00upcEU-TLSes8cTm9wM9HtgN/s320/Screen+Shot+2015-05-25+at+5.30.53+PM.png" width="320" /></a></div>
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<a href="http://fusion.net/story/41931/inside-the-prison-systems-illicit-digital-world/">http://fusion.net/story/41931/inside-the-prison-systems-illicit-digital-world/</a></div>
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Criminal justice proceedings may be increasingly technologised, yet daily life in most prisons is conducted in a technological void. Digital connectivity is much sought after, and this article explores illicit communication technologies, mobile phones as contraband in prison, and prisoners' 'inventiveness' in accessing the outside world. Prisons have been 'technological dead zones' where prisoners are limited to landline phones. Long term prisoners may leave the system poorly equipped to engage with communication technologies, and this article questions whether it is a form of cruelty to deny prisoners access to the digital universe: </div>
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'or should his virtual self be imprisoned too?'</div>
<br />Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-14153027505300029662015-05-25T13:48:00.000+10:002015-05-25T13:48:04.818+10:00Life-sized screens in virtual courtroomA mock trial in a virtual courtroom was apparently conducted last week using life-sized video screens. The arrangement of life-sized screens in the courtroom sought to create an immersive environment.<br />
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Such technology may represent some improvement, although it still focuses on the <b>visual</b> aspects of legal procedure while ignoring the significance of the other senses.<br />
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<a href="http://www.lawyersweekly.com.au/wig-chamber/news/16538-trial-by-immersive-video-link-a-world-first">http://www.lawyersweekly.com.au/wig-chamber/news/16538-trial-by-immersive-video-link-a-world-first</a><br />
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I've been writing about these issues in a draft journal article submission 'Video links from prison: phenomenology and carceral space' - and in my thesis of course - from the perspective of prisoners and their experience of video technologies from prison.<br />
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The courtroom endpoint of video technology is very, very different from the prison endpoint.Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-12987464939149924572015-05-25T11:43:00.000+10:002015-05-25T11:43:59.239+10:00Et Mon DroitThe more I immerse myself in my research, the more I find interesting groups of academics and arts practitioners who engage with both the visual and the law. For example, the Judicial Images project draws together people and resources regarding the potency of the visual image in law, and its symbolic role in legitimising power. The project 'explores how official and unofficial images of the judiciary are created, managed and consumed.' For more on that project, go to:<br />
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<a href="http://judicialimages.org/">http://judicialimages.org</a><br />
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Similarly, it's always wonderful to find exhibitions that deal with the intersections between contemporary art and the law. 'Et Mon Droit' re-contextualises the heraldic motto 'Dieu et mon droit' that adorns English and Australian courtrooms. The artists explore the abbreviated motto to subvert legality and its fixed structure. The exhibition runs from 28 May - 11 July 2015 at Copperfield, London.<br />
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For more information, head to:<br />
<a href="http://www.copperfieldgallery.com/et-mon-droit.html">http://www.copperfieldgallery.com/et-mon-droit.html</a>Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-33961288964200119182014-05-23T17:24:00.000+10:002014-05-23T17:24:12.045+10:00Animated CrimeSeveral years ago I stumbled across Alix Lambert's book "Crime: A Series of Extraordinary Interviews Exposing the World of Crime - Real and Imagined". The book presents various narratives and commentaries about true crime and fictional crime, cinematic responses and prisoners' perspectives.<br />
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<a href="http://www.bookdepository.com/book/9780955006180?redirected=true&viewCountry=AU&selectCurrency=AUD&gclid=COCDqKzAwb4CFVgSvQodOI8APQ">http://www.bookdepository.com/book/9780955006180?redirected=true&viewCountry=AU&selectCurrency=AUD&gclid=COCDqKzAwb4CFVgSvQodOI8APQ</a><br />
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So it was wonderful today to find the boldly illustrated animated series:</div>
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<a href="http://style5.tv/portfolio/crime/">http://style5.tv/portfolio/crime/</a></div>
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Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-23213985643521882222014-03-01T15:53:00.000+11:002014-03-01T15:53:07.843+11:00Visual Criminology<div style="background-color: white; color: #1b1b1b; font-family: 'Helvetica Neue', Arial, sans-serif; font-size: 1.1em; line-height: 21px; margin-bottom: 15px; margin-top: 15px; padding: 0px;">
As a visual artist and criminology PhD candidate, I have a great interest in the intersections between criminal justice, aesthetics and visual culture, particularly in the context of contemporary digital technologies, screens and cameras linking prisons with courtrooms. During my research, it has been great to find several online groups (e.g. on FaceBook) who share this interest in cultural criminology, more specifically, visual criminology or “criminological aesthetics” (Carrabine 2012: 464).</div>
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<a href="http://crimstarnetwork.files.wordpress.com/2014/03/screen-shot-2014-03-01-at-3-13-35-pm.png" style="color: #3399cc; margin: 0px; padding: 0px; text-decoration: none;"><img alt="Screen Shot 2014-03-01 at 3.13.35 PM" class="alignnone size-medium wp-image-184" height="245" src="http://crimstarnetwork.files.wordpress.com/2014/03/screen-shot-2014-03-01-at-3-13-35-pm.png?w=300&h=245" style="-webkit-box-shadow: rgba(0, 0, 0, 0.298039) 0px 0px 4px; border: none; box-shadow: rgba(0, 0, 0, 0.298039) 0px 0px 4px; box-sizing: border-box; height: auto; margin: 0px 2px; max-width: 100%; padding: 3px;" width="300" /></a></div>
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I've found that t<span style="font-size: 1.1em;">here are some good resources and references available about this emerging area of criminological research:</span></div>
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<a href="http://visualcriminology.com/about/" style="color: #3399cc; margin: 0px; padding: 0px; text-decoration: none;">http://visualcriminology.com/about/</a></div>
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A related conference is the forthcoming ‘Law and the Visual: Transitions & Transformations’ at ANU. This sounds very worthwhile and certainly relevant to my research! Several leading international scholars are confirmed participants including Alison Young, Peter Goodrich, Richard Sherwin and Desmond Manderson.</div>
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More details:</div>
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<a href="http://hrc.anu.edu.au/lawandvisual" style="color: #3399cc; margin: 0px; padding: 0px; text-decoration: none;">http://hrc.anu.edu.au/lawandvisual</a></div>
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<a href="http://lawlithum.org/category/conf/" style="color: #3399cc; margin: 0px; padding: 0px; text-decoration: none;">http://lawlithum.org/category/conf/</a></div>
Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-40142585378159214932014-01-22T21:22:00.004+11:002014-01-22T21:22:38.748+11:00On the thesis treadmill"Automaton"= a moving mechanical device in imitation of a human being = how it feels at the moment as I try to write, write, write.<br />
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But the words appear </div>
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s l o w l y …</div>
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I've got fantastic rich empirical data from prison, developed strong arguments and found great literature yet the process of getting it down on paper(screen) is tough!<br />
As well as writing, I've also been collecting interesting images that show video links in use, and the visual representation of the remote inmate. Here's one from Canada featuring former pig farmer and convicted serial killer, Robert Pickton:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWK3ocmdvD8sxmX2f00mv9VQIlIdbTfP2vNU8FiHKErzpubdDf3L2B4WP06IwMxyjoO5AQS8L-vg2Cfv7pPgORHZGFNCBSyRoKbRA14A2pzlaXmqYBlJky0rptwa0kGD0qi-LZXaPzHCkm/s1600/Screen+Shot+2014-01-22+at+8.45.02+AM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWK3ocmdvD8sxmX2f00mv9VQIlIdbTfP2vNU8FiHKErzpubdDf3L2B4WP06IwMxyjoO5AQS8L-vg2Cfv7pPgORHZGFNCBSyRoKbRA14A2pzlaXmqYBlJky0rptwa0kGD0qi-LZXaPzHCkm/s1600/Screen+Shot+2014-01-22+at+8.45.02+AM.png" height="277" width="320" /></a></div>
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<a href="http://www.theprovince.com/news/Lawsuit+against+Pickton+government+police+should+wait+while+compensation+deal+worked+lawyer/9391439/story.html">http://www.theprovince.com/news/Lawsuit+against+Pickton+government+police+should+wait+while+compensation+deal+worked+lawyer/9391439/story.html</a>Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-43621659795243801772013-12-09T04:39:00.001+11:002013-12-09T04:39:07.049+11:00In the Library at the Oñati International Institute for the Sociology of LawA tower of books about prisons, policing and punishment - I've found my place in the famous library of the Oñati International Institute for the Sociology of Law.<br />
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<span style="font-size: xx-small;">Photo: Carolyn McKay 2013</span></div>
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The Library has an amazing collection of books and articles and is the most extensive socio-legal library in Europe. Furthermore it provides a tranquil place to work within a stunning Renaissance building.<br />
More information:<br />
<a href="http://www.iisj.net/iisj/de/about-iisl.asp?cod=5186&nombre=5186&prt=1">http://www.iisj.net/iisj/de/about-iisl.asp?cod=5186&nombre=5186&prt=1</a>Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com2tag:blogger.com,1999:blog-2818608674022857710.post-32091866343127967692013-11-29T06:02:00.001+11:002013-11-29T06:04:25.151+11:00Oñati International Institute for the Sociology of LawI've been ignoring my blogging obligations for some months...<br />
But now I'm here in glorious Basque Country with time to write and complete the first draft of my thesis. I'm a Visiting Scholar at the International Institute for the Sociology of Law in Oñati, located in a beautiful Spanish Renaissance building that was completed in 1543. Today I spent time in the Library procrastinating about where to commence … and decided to just start at the beginning with the Introductory chapter. I know I'll end up revising that chapter considerably later, but it feels good to ground my thoughts and remind myself of my motivations for this research project. I've started with a short narrative about my first encounter with courtroom technologies to give context to my research focus: the embodied experience of the incarcerated person, that person dressed in prison greens appearing from a remote correctional facility.<br />
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<a href="http://www.iisj.net/iisj/de/about-iisl.asp?cod=5186&nombre=5186&prt=1">http://www.iisj.net/iisj/de/about-iisl.asp?cod=5186&nombre=5186&prt=1</a><br />
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<span style="font-size: xx-small;">Image: Carolyn McKay 2013 </span></div>
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Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-51288250127009983902013-07-18T14:11:00.000+10:002013-07-18T14:11:08.693+10:00Critical Criminology Conference 2013Today I'm writing my paper for the 7th Annual Critical Criminology Conference:<br />
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<a href="http://www.flinders.edu.au/ehl/law/news-and-events/critical-criminology-conference-2013.cfm">http://www.flinders.edu.au/ehl/law/news-and-events/critical-criminology-conference-2013.cfm</a><br />
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<span style="margin-left: 1em; margin-right: 1em;"><a href="http://www.flinders.edu.au/ehl/law/news-and-events/critical-criminology-conference-2013.cfm"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbiIYgWxDAchJj04grstw0QUwQjYVSU-XI_4soIgZO6U5Id7O9fPpskB2J58yfBLgAs5T4_kOs5Isw1MiNfHjg9-wDjDaoBviukItQs20pujURn4JVysl6IQ65FNu_rnN0wgxWszgpYj3D/s320/Screen+Shot+2013-07-18+at+1.58.31+PM.png" width="310" /></a></span></div>
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<span style="text-align: left;">My paper is "Video Links from Prison: Permeability and the Carceral World" in which I discuss whether video conferencing systems create new links between spaces of incarceration and the outside world, or merely reinforce the growing carcerality of contemporary society. I explore how video conferencing may be a conduit between conceptually linked but non-contiguous spaces, facilitating a process of permeability between prisons and the outside world: as the courtroom enters the prison via video link technologies, simultaneously, the prison enters the courtroom. My recent fieldwork drew attention to the issue of sound permeability, or audio bleed, with prison noise infiltrating the video booth and flowing into the remote courtroom.</span></div>
Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-11391631134679492562013-07-18T13:57:00.000+10:002013-07-18T13:57:09.819+10:00Carceral CinematographyAs I've been researching carcerality I came across this interesting list of prison films that explore the use of prisoners and prisons as narrative or metaphor:<br />
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<a href="http://www.lib.berkeley.edu/MRC/prisonfilmsbib.html">http://www.lib.berkeley.edu/MRC/prisonfilmsbib.html</a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjziIfajJJjuOkx9KL85PaUbEUKtc58vMjSwHC6TJCgRi__10hqwmeajM6H4ksJIGcdSGrU1W1CiQVM1-sSTK6xJcBMgKCAqorc7agqMaV0rHhkcZU7x7YHgo9crNAEGjj7Lcpob7Fni-Ib/s1600/Screen+Shot+2013-07-18+at+1.47.12+PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="91" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjziIfajJJjuOkx9KL85PaUbEUKtc58vMjSwHC6TJCgRi__10hqwmeajM6H4ksJIGcdSGrU1W1CiQVM1-sSTK6xJcBMgKCAqorc7agqMaV0rHhkcZU7x7YHgo9crNAEGjj7Lcpob7Fni-Ib/s320/Screen+Shot+2013-07-18+at+1.47.12+PM.png" width="320" /></a></div>
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Google images 18/07/13</div>
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Actually I've now found many other lists including:</div>
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<a href="http://www.imdb.com/list/QtLIw92EnJA/">http://www.imdb.com/list/QtLIw92EnJA/</a></div>
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<a href="http://www.prisonmovies.net/prison-movies">http://www.prisonmovies.net/prison-movies</a></div>
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<a href="http://www.guardian.co.uk/culture/2010/may/30/ten-best-prison-films">http://www.guardian.co.uk/culture/2010/may/30/ten-best-prison-films</a></div>
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Add to this list the many reality TV shows about prisons particularly in the USA and UK and prison drama series, and you have many hours of intense viewing!</div>
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Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-75425047139507440172013-07-08T15:34:00.000+10:002013-07-08T15:34:28.195+10:00The Conversation: review of the Gateways to Justice report<span style="font-family: Times, Times New Roman, serif;">I was recently interviewed by The Conversation about the <span style="background-color: white; line-height: 25px;">Australian Research Council Linkage Project “Gateways to Justice: improving video-mediated communications for justice participants” report. This was a very comprehensive study using innovative </span></span><span style="font-family: Times, Times New Roman, serif;"><span style="line-height: 25px;">experiments and proposing important improvements and guidelines for video conferencing in the justice sector.</span></span><br />
<br />
<a href="http://theconversation.com/higher-quality-court-videolinks-will-improve-justice-outcomes-study-15453">http://theconversation.com/higher-quality-court-videolinks-will-improve-justice-outcomes-study-15453</a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZeqX9JmAuig0TYpPNV4vpFgsaPy2TZnztY1fftJmrxNUgt0C5UPwM5_nMNAOmGd6R3Mtz9Fu3jK0Iwn1yZ7nyIfPgixNL6CD3bDe9BOu3w7Avmi9FAUSPX_ESAdYaNZIgaS7NZAj8pjPG/s1600/Screen+Shot+2013-07-08+at+3.33.03+PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="113" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZeqX9JmAuig0TYpPNV4vpFgsaPy2TZnztY1fftJmrxNUgt0C5UPwM5_nMNAOmGd6R3Mtz9Fu3jK0Iwn1yZ7nyIfPgixNL6CD3bDe9BOu3w7Avmi9FAUSPX_ESAdYaNZIgaS7NZAj8pjPG/s320/Screen+Shot+2013-07-08+at+3.33.03+PM.png" width="320" /></a></div>
<br />Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-37994206005370352202013-07-02T09:00:00.001+10:002013-07-02T09:00:22.221+10:00Court closures in England Interesting to read about the number of court closures in England:<br />
<a href="http://www.justice.gov.uk/about/hmcts/courts">http://www.justice.gov.uk/about/hmcts/courts</a><br />
<br />
I'm not sure if this process is yet complete but the proposal is to close 93 magistrates' courts and 49 county courts in England and Wales. Thanks to contacts from the British Society of Criminology Post Graduate Community, and my researching mother, who have sent me a variety of links about the court closures, for example, Highgate in London:<br />
<a href="http://www.hamhigh.co.uk/news/highgate_s_magistrates_court_closes_its_doors_for_good_1_1753891">http://www.hamhigh.co.uk/news/highgate_s_magistrates_court_closes_its_doors_for_good_1_1753891</a><br />
<br />
Since I last looked at this website it seems the network of Virtual Courts has expanded, not surprising given the number of court closures:<br />
<a href="http://www.justice.gov.uk/legal-aid/areas-of-work/crime/magistrates-courts">http://www.justice.gov.uk/legal-aid/areas-of-work/crime/magistrates-courts</a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjp7okdh8BC1KceIaChaJTcYri1Y4dVQjR81nM6zOQkClC8A_xIzycYEQfzI4j5cGv4RNGnRqdl6EKGJRdLR81GbupyxbrkKIzzSCLj1jX7uzXaRMjCJW1ZY3am4mvdRaiVrKmalTBcILS/s1295/Screen+Shot+2013-07-02+at+8.37.27+AM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="132" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjp7okdh8BC1KceIaChaJTcYri1Y4dVQjR81nM6zOQkClC8A_xIzycYEQfzI4j5cGv4RNGnRqdl6EKGJRdLR81GbupyxbrkKIzzSCLj1jX7uzXaRMjCJW1ZY3am4mvdRaiVrKmalTBcILS/s320/Screen+Shot+2013-07-02+at+8.37.27+AM.png" width="320" /></a></div>
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Google image search 02/07/13</div>
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Great images of derelict courts and buildings:<br />
<a href="http://www.locationworks.com/search/index.php?search=court">http://www.locationworks.com/search/index.php?search=court</a><br />
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Also in Ireland:<br />
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<span style="background-color: #fefefe; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 16px; text-align: left;">Crumlin Road Courthouse in Belfast:</span><br />
<a href="http://www.flickr.com/photos/slinky2000/6329909078/">http://www.flickr.com/photos/slinky2000/6329909078/</a><br />
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<br />Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-48374658692415613742013-03-17T15:31:00.000+11:002013-03-17T15:31:12.955+11:00The Human Voice<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNqeVPG6JBsVFpTFFSZx4FFiy3o02XJRjliNoHFdDa7zDfY1Jk0finXRoJdtBGgcwUi5utMXHlbtc57mXQz80dCVIFj3_hw1he1wkcSh9FDVnbh2XPYRc1PZHtSaGc-ByxPW7P5kFdJ13o/s1600/01_His_Masters_Voice_HMKV_c_Gestaltung_Laborb_Foto_Daniel_Hofer_1800px.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNqeVPG6JBsVFpTFFSZx4FFiy3o02XJRjliNoHFdDa7zDfY1Jk0finXRoJdtBGgcwUi5utMXHlbtc57mXQz80dCVIFj3_hw1he1wkcSh9FDVnbh2XPYRc1PZHtSaGc-ByxPW7P5kFdJ13o/s320/01_His_Masters_Voice_HMKV_c_Gestaltung_Laborb_Foto_Daniel_Hofer_1800px.jpg" width="225" /></a></div>
<div style="text-align: center;">
<a href="http://www.hmkv.de/_en/programm/programmpunkte/2013/Ausstellungen/2013_His_Masters_Voice.php">http://www.hmkv.de/_en/programm/programmpunkte/2013/Ausstellungen/2013_His_Masters_Voice.php</a></div>
<div style="text-align: center;">
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The human voice has been the subject of several exhibitions in recent years. <i>His Master's Voice</i> explores the performativity of voice and language, speech acts and utterances. Of interest to my research is the consideration of how the voice is connected to the body and what happens when the spoken word is severed from the speaker. On the website, there is a great exhibition guide to download in both German and English.<br />
If you happen to be in Germany, it opens 22 March at <span style="font-family: Arial, Helvetica, sans-serif; line-height: 18px; text-align: left;">HMKV at Dortmunder U</span><br />
<div style="color: #666666; font-family: Arial, Helvetica, sans-serif; line-height: 18px; margin-bottom: 1em; padding: 0px; text-align: left;">
Leonie-Reygers-Terrasse<br />D-44137 Dortmund.</div>
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<br />Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-40471146024636107192013-03-15T18:42:00.000+11:002013-03-17T15:52:20.659+11:00SUPERMAXAs I write about my experience of conducting interviews within the carceral world, I'm interested in describing the unique attributes of custodial space that emanate from penal architecture and prison culture. For my research, an understanding of
this environment is important in considering the shifting space of the criminal
justice system from the perspective of inmates; a shift from the courtroom dock
to the prison video booth.<br />
<br />
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The ideological underpinnings of prisons vary from the overtly punitive and coercive, to those that focus upon incapacitation and social exclusion, to those that seek rehabilitation. In NSW, Corrective Services espouse values of justice and equity in their management of correctional centres, including the humane treatment of inmates, as well as ensuring their safety, welfare and positive development. These values need to be balanced with the goals of reducing recidivism and enhancing community safety.<br />
<br />
Nevertheless, prisons are non-neutral and closed finite spaces. I suggest that spaces of incarceration fall within the 'hostile spaces' excluded from Gaston Bachelard's <i>Poetics of Space</i> 1994. Prisons present a highly controlled, surveilled, de-humanised and potentially dangerous environment, the antithesis of a poetic space, yet embedded with phenomenological qualities that impact upon inmates. Incarceration within an environment of solitary confinement or in 'supermax' conditions radically diminishes human sensorial experience. This ABC story on Goulburn's Supermax is from 2005 but provides some interesting insights into this particularly opaque world.<br />
<br />
<div style="text-align: center;">
http://www.abc.net.au/4corners/stories/2011/08/16/3294815.htm<a href="http://www.abc.net.au/4corners/stories/2011/08/16/3294815.htm">http://www.abc.net.au/4corners/stories/2011/08/16/3294815.htm</a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkU1mcOCxaHlvlXm-C5lRtFs7ELkoR8672ZO0JNDEJkoX4rJsFDEauALNXA1-zzY1X2gwaSc7_Ec5ERkpkeVD5Ms1R4kscrwbI3sZtUTCXLPT0k9Z1JeceikyraWmpQbSJK7SpzzP0nSfr/s1600/Screen+Shot+2013-03-15+at+6.26.19+PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="226" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkU1mcOCxaHlvlXm-C5lRtFs7ELkoR8672ZO0JNDEJkoX4rJsFDEauALNXA1-zzY1X2gwaSc7_Ec5ERkpkeVD5Ms1R4kscrwbI3sZtUTCXLPT0k9Z1JeceikyraWmpQbSJK7SpzzP0nSfr/s320/Screen+Shot+2013-03-15+at+6.26.19+PM.png" width="320" /></a></div>
<br />Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-80554795686181993192013-03-06T21:55:00.001+11:002013-03-06T21:55:37.749+11:00Plunging into the belly of the beast<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">While my thesis primarily focusses upon the embodied experience of inmates who appear in court by video link from prison, I'm also reflecting upon <i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;">my</span></i><span lang="EN-US" style="mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin;"> embodied experience
of conducting a prison ethnography – an immersion of my body into a 'hostile' environment for the purposes of gathering evidence and rich verbatim data for
my thesis. I argue that p</span></span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">laces
of incarceration are non-neutral, closed finite spaces that create specific
phenomenological experiences, spatial relationships and human responses
(Bollnow 1963: 18-19) for both inmates appearing remotely in court from prison,
and for a researcher visiting to gather evidence.</span><br />
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<!--StartFragment--><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><div>
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /></span></div>
I question what I, as a researcher, have gained from my physical entry
into the opaque carceral world, plunging into “the belly of the beast”
(Wacquant 2002: 385-9) and my subsequent process of reflection. Yvonne Jewkes argues that the researcher may be actively reflexive of
their personal encounter while still maintaining academic standards of
epistemological and theoretical engagement (Jewkes 2012: 72). By interrogating
the self and the lived experience of conducting prison research, the reflexive
researcher may add humanity to data, animate the dynamics and nuances of the highly
charged environment of a prison to more fully articulate and critique the penal
system. </span><div>
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">Well, that's what I'm aiming for ...</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV1BYBW3XWMarc7t29pQ2NmrPNbciHyfc53N_HuGVl4fQyWO9OdC8Po8uYFpwmK7-hxALgu5-XoborI6GVl5NJo1VqD9TiKMEzFrY7wFWFSBXO5THNa6BkkBa3LzV9nVN9GuNt2fJyCOtn/s1600/Screen+shot+2013-03-06+at+9.34.24+PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="276" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV1BYBW3XWMarc7t29pQ2NmrPNbciHyfc53N_HuGVl4fQyWO9OdC8Po8uYFpwmK7-hxALgu5-XoborI6GVl5NJo1VqD9TiKMEzFrY7wFWFSBXO5THNa6BkkBa3LzV9nVN9GuNt2fJyCOtn/s320/Screen+shot+2013-03-06+at+9.34.24+PM.png" width="320" /></a></div>
<div style="text-align: center;">
<a href="http://www.nj.com/hudson/index.ssf/2011/02/west_new_york_police_charge_qu.html">http://www.nj.com/hudson/index.ssf/2011/02/west_new_york_police_charge_qu.html</a></div>
<div style="text-align: center;">
accessed 06/03/13</div>
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<br /></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">A friend and PhD candidate, also involved in prison research, has just sent me a link to this recent publication: </span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><img alt="THE PAINS OF DOING CRIMINOLOGICAL RESEARCH" id="ctl00_cph_content_img_ouvrage" src="http://www.aspeditions.be/images_asp/THEPAINS_WEBSITE.JPG" style="border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: -3px; margin-right: 0px; margin-top: -3px; width: 170px;" /></span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">Imprint: <strong>Criminologische Studies</strong><br />Available<br /><strong>€ 25,95</strong><br />ISBN: 9789057182631<br />216 pages<br />Publishing date: 15/02/2013</span></div>
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<h2 class="h2_article" style="font-size: 13px; margin-bottom: 0px; margin-top: 0px; padding-bottom: 0px;">
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">THE PAINS OF DOING CRIMINOLOGICAL RESEARCH</span></h2>
<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="sous_titre" id="ctl00_cph_content_l_sous_titre" style="font-size: 13px;"></span><br /><span id="ctl00_cph_content_l_auteurs">Kristel Beyens, Jenneke Christiaens, Bart Claes, Steven De Ridder, Hanne Tournel, Hilde Tubex</span></span></div>
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<span style="color: black; font-family: MS Sans Serif; font-size: xx-small;"><a href="http://www.aspeditions.be/article.aspx?article_id=THEPAI818J&langue=en-gb">http://www.aspeditions.be/article.aspx?article_id=THEPAI818J&langue=en-gb</a></span></div>
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According to the link: </span><span class="Apple-style-span" style="font-family: ACaslonPro-Regular; font-size: x-small; line-height: 24px;"><div align="left" style="margin-left: 0px; padding-left: 0px;">
<span style="color: black; font-family: MS Sans Serif; font-size: xx-small;">"Handbooks of research mainly focus on research methods and techniques and leave the </span><span style="color: black; font-family: MS Sans Serif; font-size: xx-small;">person of the researcher out of focus. This book explicitly starts from the experiences of </span><span style="color: black; font-family: MS Sans Serif; font-size: xx-small;">criminology researchers and tells about the ‘pains’ they encounter when doing research. </span><span style="color: black; font-family: MS Sans Serif; font-size: xx-small;">By giving voice to the researchers themselves, this book fills a gap that is rarely touched </span><span style="color: black; font-family: MS Sans Serif; font-size: xx-small;">upon in the classical textbooks. These tales of the field bear witness to the often hidden </span><span style="color: black; font-family: MS Sans Serif; font-size: xx-small;">difficulties and pitfalls of doing research and focus on often-neglected questions. </span><span style="color: black; font-family: MS Sans Serif; font-size: xx-small;">What does it mean to do research in a hyper masculine environment such as a prison? </span><span style="color: black; font-family: MS Sans Serif; font-size: xx-small;">What are the challenges to get access to a police organization or to private intelligence </span><span style="color: black; font-family: MS Sans Serif; font-size: xx-small;">organizations and private security companies? How does a researcher cope with her/</span><span style="color: black; font-family: MS Sans Serif; font-size: xx-small;">his own emotions during fieldwork? How does an ex-convict experience the process of</span><span style="color: black; font-family: MS Sans Serif; font-size: xx-small;">becoming a researcher? What are the hidden or unexpected problems of publishing? </span><span style="color: black; font-family: MS Sans Serif; font-size: xx-small;">What are the challenges of doing comparative research?</span></div>
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<span style="color: black; font-family: MS Sans Serif; font-size: xx-small;">These are only a few questions that are dealt with in this book, which is written by </span><span style="color: black; font-family: MS Sans Serif; font-size: xx-small;">researchers for researchers and students. Although it starts from a criminological </span><span style="color: black; font-family: MS Sans Serif; font-size: xx-small;">perspective, researchers from other disciplines will also benefit from the sharing and </span><span style="color: black; font-family: MS Sans Serif; font-size: xx-small;">comparing of similar experiences.</span></div>
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<span style="color: black; font-family: MS Sans Serif; font-size: xx-small;">This book is written by scholars of the Criminology Department of the Vrije Universiteit </span><span style="color: black; font-family: MS Sans Serif; font-size: xx-small;">Brussel. They are all members of the research group Crime and Society (CRiS)."</span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">I'll add this to the ever-growing 'must-read'</span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"> pile.</span></div>
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Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-77032571301320177312013-01-08T21:34:00.000+11:002013-01-08T21:34:53.342+11:00Transcription: voices from prisonNow that I've completed my interviews with inmates about their subjective experience of video links, it's time to transcribe the audio recordings. It is such a slow process as I'm aiming to create an accurate record of their voices, with all the idiosyncratic phrasing, paraverbals and utterances that come with conversation. As I go backwards and forwards through the recordings, I recall each person's face and body language. Their (now) disembodied voices reveal something of their personality or emotional state during the interview: despair, distress, powerlessness, resignation as well as apathy, distrust and considerable humour. I've also become aware of the background noises - the sounds of incarceration as prisoners and officers interact (not always politely), doors slam, announcements or reprimands are made over a PA, and then there's the slightly invasive muzak ('The first cut is the deepest') of Gloria Jean's cafe at one correctional centre.<br />
I recorded 31 interviews and I've now transcribed 21 of them ... only ten more to go! Here I am contemplating spending more time in front of the computer screen:<br />
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<br />Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-6816645568031574682012-12-07T17:39:00.002+11:002013-03-17T15:55:23.923+11:00Ethnography and VoyeurismAs I've now completed my fieldwork in prison, it's good to reflect upon the experience. The ethical tensions of prison ethnography cannot be ignored, and this has come up in discussions over the last couple of days with academics and other doctoral candidates. Is prison ethnography inherently coercive and voyeuristic? Or does it represent an opportunity for researchers to be the ears and eyes that can reveal a world inaccessible to most? More stuff to contemplate.Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-2879859539212442342012-12-07T17:16:00.000+11:002012-12-07T17:16:02.539+11:00Grounding LawI've been at the Melbourne Doctoral Forum on Legal Theory 'Grounding Law' which has been a really well curated conference featuring diverse and challenging theoretical papers. I presented in the first panel 'Techne and Technology' with my paper 'Video Conferencing from Prison: Reconceptualising the Place and Space of Criminal Law'... much discussion and response followed, useful to the ever-evolving thesis.<br />
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<a href="http://www.law.unimelb.edu.au/index.cfm?objectid=DCA83080-2698-11E1-B6610050568D0140&diaryid=6227">http://www.law.unimelb.edu.au/index.cfm?objectid=DCA83080-2698-11E1-B6610050568D0140&diaryid=6227</a></div>
Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-43560824559114406012012-11-14T13:37:00.000+11:002012-11-14T13:37:05.214+11:00Art & SurveillanceAs I'm in the process of drafting a paper "The artist as voyeur" that probes how surveillance is appropriated by artists both as a methodology and canvas, it was great to come across this issue (how did I miss it?!):<br />
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<a href="http://www.artlink.com.au/issues/3130/art-26-surveillance/">http://www.artlink.com.au/issues/3130/art-26-surveillance/</a><br />
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Luckily, a back issue was available and has just arrived in my PO box. Now, off to read ...<br />
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<br />Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-86058333096825748062012-11-14T13:31:00.002+11:002012-11-14T13:32:06.330+11:00The Choir: story from a South African PrisonCurrently on SBS TV is <i>The Choir</i> directed by Michael Davie. Apparently shot over several years, the film shows the story of Jabulani Shabangu, both a victim and perpetrator of crime and now incarcerated in Leeukwop Prison, South Africa. He is recruited into the prison choir that goes on to compete at the National Prisoner Choir Competition. The story tells of the transformative possibilities of music and immersion in a new community, even within the closed environment of prison.<br />
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<a href="http://www.sbs.com.au/films/movie/3304/The_Choir">http://www.sbs.com.au/films/movie/3304/The_Choir</a><br />
<a href="http://www.imdb.com/title/tt0929735/plotsummary">http://www.imdb.com/title/tt0929735/plotsummary</a><br />
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Watch the trailer: <a href="http://www.youtube.com/watch?v=g59RZCsxEkA">http://www.youtube.com/watch?v=g59RZCsxEkA</a><br />
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<br />Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-6667167673794834932012-11-02T21:31:00.001+11:002012-11-02T21:31:55.992+11:00Prison ethnography continued<span style="font-family: Times, Times New Roman, serif;">With thanks to various online friends (Fabio and Maggie via crimspace, facebook and mendeley) who are also researching prisons, here are some more references:</span><br />
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<span style="font-family: Times, Times New Roman, serif;">Ben Crewe, The Prisoner Society: Power, Adaptation and Social Life in an English Prison</span><br />
<a href="http://www.bookdepository.co.uk/Prisoner-Society-Ben-Crewe/9780199653546"><span style="font-family: Times, Times New Roman, serif;">http://www.bookdepository.co.uk/Prisoner-Society-Ben-Crewe/9780199653546</span></a><br />
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<span style="font-family: Times, Times New Roman, serif;"><span style="background-color: #edeff4; color: #333333; line-height: 14px; text-align: left;">Patenaude, A.L., 2004.</span><span style="background-color: #edeff4; color: #333333; line-height: 14px; text-align: left;">No promises, but I’m willing to listen and tell what I hear: Conducting qualitative research among prison inmates and staff. The Prison Journal, 84(4 suppl), p.69S–91S.</span></span><br />
<span style="background-color: #edeff4; color: #333333; line-height: 14px; text-align: left;"><span style="font-family: Times, Times New Roman, serif;"><br /></span></span>
<span style="background-color: #edeff4; color: #333333; line-height: 14px; text-align: left;"><span style="font-family: Times, Times New Roman, serif;">Crewe, B. & Maruna, S., 2006. Self-narratives and ethnographic fieldwork. The Sage handbook of fieldwork, pp.109–123.</span></span><br />
<span style="background-color: #edeff4; color: #333333; line-height: 14px; text-align: left;"><span style="font-family: Times, Times New Roman, serif;"><br /></span></span>
<span style="background-color: #f0f1f2; color: #333333; line-height: 18px; text-align: left;"><span style="font-family: Times, Times New Roman, serif;">Alison Liebling's idea of "appreciative inquiry" a bit, and Dot Golding's work in WA is interesting. Other prison researchers like Ben Crewe are also a great help and I found Mark Halsey's work with juveniles in WA great. </span></span><br />
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<span style="background-color: #f0f1f2; color: #333333; line-height: 18px; text-align: left;"><span style="font-family: Times, Times New Roman, serif;">More reading ... just what I like!</span></span><br />
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<br />Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-37419141960568569672012-10-31T14:12:00.001+11:002012-10-31T14:12:42.803+11:00Prison ethnography<span style="font-family: Times, Times New Roman, serif;">As my research increasingly implicates me in the world of prisoners, it's been good to engage with some literature dealing with prison ethnography, including:</span><br />
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<li><span style="font-family: Times, Times New Roman, serif;"><span style="background-color: white; color: #333333; line-height: 16px;">Loic Wacquant, “The Curious Eclipse of Prison Ethnography in the Age of Mass Incarceration.” </span><em style="background-color: white; color: #333333; line-height: 16px; list-style: none; margin: 0px; padding: 0px;">Ethnography</em><span style="background-color: white; color: #333333; line-height: 16px;"> 3-4 (Winter 2002), Special issue on “In and Out of the Belly of the Beast: Dissecting the Prison”: 371-397. </span><a href="http://loicwacquant.net/debates/theory-and-ethnography/">http://loicwacquant.net/debates/theory-and-ethnography/</a></span></li>
<li><span style="font-family: Times, Times New Roman, serif;">James Sutton, "An Ethnographic Account pf Doing Survey Research in Prison: Descriptions, Reflections, and Suggestions from the Field" <i>Qualitative Sociology Review</i>, Vol VII, Issue 2 - August 2011</span></li>
<li><span style="font-family: Times, Times New Roman, serif;">James B Waldram, "Challenges of Prison Ethnography"<i>Anthropology News</i> January 2009 p. 4</span></li>
<li><span style="font-family: Times, Times New Roman, serif;">Shanta Singh, "Being a Criminology Ethnographer in a South African Prison: A Search for Dynamics and Prevalence of HIV/AIDS in the Westville Prison, Durban, South Africa" J. Soc. Sci., 15(1): 71-82 (2007)</span></li>
<li><span style="font-family: Times, Times New Roman, serif;">I missed this conference on 'Resisting the Eclipse: An International Symposium on Prison Ethnography <a href="http://www.open.ac.uk/icccr/events/prison-ethnography/">http://www.open.ac.uk/icccr/events/prison-ethnography/</a></span></li>
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Anyone got any other suggestions?</div>
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Image source: <a href="http://www.onelargeprawn.co.za/2011/03/15/marked-men-russian-prison-tattoos-2/">http://www.onelargeprawn.co.za/2011/03/15/marked-men-russian-prison-tattoos-2/</a></div>
Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-7595859673343256832012-10-30T21:27:00.001+11:002012-10-30T21:27:30.955+11:00Prison fieldwork commences<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: xx-small;">Google maps</span></div>
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Over the last few weeks I've commenced my fieldwork in two NSW correctional centres. The process has been intense and not without difficulties as I try to negotiate inmates' (understandable) reluctance to be interviewed and the prison system's occasional partial or full lockdowns.<br />
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Nevertheless the work has been rewarding and I've found willing inmate participants to be both articulate and insightful of their experiences in using video links between prison and courtrooms. Corrective Services' staff have been incredibly helpful and obliging making the whole process as smooth as possible.<br />
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<br />Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0tag:blogger.com,1999:blog-2818608674022857710.post-63943110218498934412012-10-30T21:07:00.000+11:002012-10-30T21:07:02.455+11:00Bodies in Distress<span style="font-family: Times, Times New Roman, serif;">This is slightly old news now but I just realised that I hadn't blogged about this already ... Last month I took part in 'Bodies in Distress' during Critical Animals (This is Not Art festival in Newcastle) at The Lock-Up. The event, organised by Gabriel Watts from the ARC Centre of Excellence for the History of Emotions, was a collaboration between researchers Drs Una McIlvenna and Rebecca McNamara and artists Mimi Kelly and me. </span><br />
<span style="font-family: Times, Times New Roman, serif;"><br /></span>
<span style="font-family: Times, Times New Roman, serif;">The event commenced with Grace Turner singing 17th century execution ballads (beautifully) in a small cell of The Lock-Up while Una provided insights into the ballads. Throughout the performance was Mimi's ethereal and haunting video installation and haze machine serendipitously puffing smoke every time Grace sang of a death by fire. Two cells up the corridor was my audio piece 'Felonia de se' (felony of the self) installed in the historic padded cell. My soundscape was a response to medieval legal records concerning suicide cases in England, as researched by Rebecca. I aimed to evoke uneasy imagery through text fragments and dark, otherworldly audio loops.</span><br />
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<a href="http://www.historyofemotions.org.au/news-media/news-listing/bodies-in-distress-at-critical-animals.aspx">http://www.historyofemotions.org.au/news-media/news-listing/bodies-in-distress-at-critical-animals.aspx</a><br />
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A panel discussion followed concerning sin, death, punishment, corporeality and the intersections of academic research and artistic practice. A fun day out!<br />
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<a href="http://criticalanimals.files.wordpress.com/2012/10/bodies-in-distress.jpg">http://criticalanimals.files.wordpress.com/2012/10/bodies-in-distress.jpg</a></div>
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<!--StartFragment--><!--EndFragment-->Carolyn McKayhttp://www.blogger.com/profile/14703866406658897512noreply@blogger.com0